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  • The Authentic Soul Behind Italy’s Eurovision Entry

    “Volevo Essere Un Duro: The Authentic Soul Behind Italy’s Eurovision Entry”

    Hi, all you Eurovision fans.  How will we survive until the next one?

    I am going to do my first review blog ever.  Lucio and Tommaso, you are it!    

    I am new to this.  My background is languages, music and soul-searching, and when I heard this song, I connected with it on multiple levels within seconds.  

    Firstly, the visual appearance of the artistic lead singer, the slightly built Lucio Corsi, with his visually striking painted face, yellow top with padded shoulders, slim legs and cool boots.  The striking whiteness of his painted face contrasted perfectly with his teeth, which were not a brilliant ‘manufactured for the world to see’ white.   I loved the fact that he did not have Simon Cowell or Rylan Clark excessively white and unreal, unnatural looking teeth.  (Rylan, if you are reading this, I love you and think you’re cool anyway). Ok, plastic fantastic may be for some, not for me, chacun à son goût, i gusti sono gusti.  ‘Al naturale’ screams to me without uttering a sound.  The fact that Lucio was not trying to convey an image of perfection was perfetto; having the inclusion of subtitles for the audience, Lucio translated and communicated authenticity as well as empathy and art. 

    The imposing grand piano contrasted with the slight figure of Lucio.  It was like David and Goliath, where David was much more imposing.   ‘Volevo essere un duro’ is quite ironic, as Lucio’s whole persona, voice and delivery conveyed he was not a tough guy, but he certainly was ‘un uomo di sostanza’, much more preferable to have access to your soul.      

    As the song continued, the catchy melody and the ‘Marc Bolanesque’ raw voice of Lucio shone through and impressed me loads.  As he continued to play, the lyrics were genius and touching.  The ‘Andy’ written on the sole (I originally had ‘soul’) of his shoe, which could almost have been missed, was another visual connect and fitted perfectly.  Emotionally, the lyrics were ‘colpire forte’, yet ‘gentile’.  This song was full of contrast and artistic genius.  Bravo, Lucio.

    Lucio is a man of many talents – in this song, he is a singer with a voice and words that reach your inner soul, a visual appearance that charms the viewer, a song that pulls on one’s heart strings and elicits a gut reaction and is mindful of the subtler touches.  This artist is a shining light, a beacon of talent.  In this performance he carried everything off in such a relaxed, professional and confident manner – holding the microphone under his arm, playing the electric guitar to perfection, playing the harmonica while still managing the microphone, everything worked.  Bellissimo!

    I read afterwards that Lucio had stuffed Pom-Bears to work as shoulder pads and I loved that this fine soul did not care what anyone thought of this; his carefree attitude and lack of care for perfection ended up creating absolute perfection.   Genio!

    I connected with the whole package and douze points was an easy choice for me.  The beauty of the Italian language added to the aesthetics and rolled off the tongue so smoothly and beautifully.  Connecting with and involving his friend and fellow singer Tommaso was warm and inclusive.  

    Lucio successfully and simply conveyed beauty, authenticity, vulnerability, friendship, connection, love and pure art.  The world could learn from this.  Be yourself, be real.

    From never having heard of this guy until less than a week ago (I usually would have been familiar with every entry long before this, but unfortunately this was not possible this year), I recognise that he has the ‘non so cosa’, the ‘je ne sais quoi’ that everyone wishes they had but few are brave enough to strip away the mask to reveal ‘l’articolo autentico’.  Lucio e Tommaso, bella prestazione, ragazzi!  Stelle spelndenti!

  • About Me

    Hi 

     ‘Welcome to Soul Notes’.

    I am D from Northern Ireland and have been a lifelong fan of Eurovision since I was 4.  My first memory of Eurovision is the barefoot Sandy Shaw’s ‘Puppet on a String’ in 1967.  By the time it got to Lulu’s “Boom Bang-a-Bang’ in 1969, I was hooked.  1970’s ‘All kinds of everything’ (among many other Eurovision delights) is on my waterproof music player, which I listen to when swimming (another passion).  This combination of music and water transports me to an ethereal world, where only timeless beauty and peace reside.

    My love for Eurovision grew as I did, and I developed a love for languages alongside it.  I studied French and German at uni and pursued Spanish, Italian, Japanese and Irish, which have all influenced my appreciation for linguistic expression.  My love for languages was as strong and enduring as my love for Eurovision.  In Northern Ireland, language has its own cultural significance, as while the official language is English, Irish is still taught in some schools, but the Irish language can be a bit of a political thorn for some.  I am apolitical, I am only interested in languages, I don’t do politics.

    As my language learning continued, I found I was able to appreciate the lyrics of some songs more deeply and the aesthetics of the language in which the artist was singing.  Music, however, transcends many barriers, and we can connect with songs without being able to understand the lyrics.  When I have connected with a song in a language with which I am not familiar and then look up the lyrics in English, the common denominator themes encompass the beauty, fragility, vulnerability and resilience of the human soul, and this pulls me magnetically toward certain songs, lyrics and voices.  There are other songs out there that simply do not reach those depths, and that is fine too.  Maybe they reach someone else – that is what music is all about, different songs reaching people in different ways.

    I am young at heart and that makes a big difference in the world we live in.  I like to think I have a unique take on life and am always on the lookout for connection and synchronicity.  I have had my fair share of struggles, like everyone else, and I cannot help but be particularly drawn to raw emotion in a singer’s voice and authenticity in song lyrics and people.  Music is my lifelong loyal friend and has always delivered without fail.  Pain and beauty translate through the universal medium of music, regardless.  When the music blends the voice, the lyrics, the emotion and the authenticity, I am a soul ‘flying on the wings of love’.   Any music can do this – just as Antonín Dvořák universally communicated simple beauty and yearning that gently brush the soul in the piece ‘Song to the Moon – Rusalka’.  If you are not familiar with it, please do play it when you get the chance with your eyes closed.  You will be transported to a different sphere.

    My approach to Eurovision analysis (and other music too) is based on what is most important to me – authenticity, emotional connection and cultural elements that are universal and translate the world over.  My perspective will be different from other commentators, in that the songs that reach out to me connect with a deeper part of me, and this is personal.  It will not be for everyone, as we are all different.   

    Eurovision brings together the best singers and the best songs that each country has to offer.  I have yet to watch a Eurovision where a song did not tug at my emotional strings (and I felt the compulsion to play it so many times that it became an earworm, until the next song took over).  It is a musical extravaganza of every genre and a world of musical magic. 

    I am open to analysing any song but have a particular affinity to Eurovision songs.  I would love to hear which performances have touched your soul and reached a part of you that resonated.  

    This is me dipping ‘i miei piedi’, ‘meine Füße’, ‘mis pies’, ‘mo chosa’, ‘watashi no ashi’ and even my feet in the water to see how it goes.  (And with interjections like that, I am hearing myself sound a bit like Eugene from the Walking Dead, but that’s another very different story).   

    If this goes well, I hope to publish regularly every week.  From Soul Notes you can expect an honest and thoughtful analysis which delves deeper into the soul behind the music.

    If it goes badly, this soul may well have to fragment and disappear.  

    Non sono altra che D

    Ciao